Monthly Archives: January 2017

Excerpt from “ANZACS” by Godfrey McLeod ~~Dick Baker~~

picture-anzacs-mcleodIt was obvious the commotion would bring more Turks – they were, after all, in their territory. Enemy soldiers were, in fact, crawling across open ground to a position on the other side of the Australians. Two dropped down behind the men and the fast-shooting Dick, whirling around, pulled his trigger faster than they could pull theirs. The other Turks slid back out of sight. The Australians realised they were surrounded.
‘We’ll have to clear ourselves a passage,’ said Dick. ‘I’ll have a squiz on the other side of the barrier – see how our bombardiers are doin’.’
‘Now take it easy, Dick!’ said Martin, trying to restrain his impetuous friend. ‘We’ll hold out better back to back!’
Dick grinned at him and clambered over the sandbags. Confronted by the cautiously advancing Turks, he ran full tilt into them, sticking his bayonet into two. Before they could react, he was back around the corner, panting, his back against the trench wall.
‘Okay?’ asked Martin over his shoulder while he watched the other side of the trench.
‘Sweet as a bun.’
From Dick’s position, the Turks around the corner could only approach in ones and twos. Men dropped each time they attempted to scramble over the barrier. Martin, meanwhile, was throwing bombs, keeping the other wave of attackers at bay. And then, above it all, they heard the cries of Australian voices – ‘Hang on Aussie; we’re nearly there!’
‘Keep it going, Marty!’ called Dick. ‘Only seconds to the final bell!’
Martin smiled, his face still turned to the other side of the trench. Then a shot rang out, loud and clear. And it echoed and bounced and ricocheted through his mind. He’d heard more than a half a million rifle shots at Gallipoli, despite his weeks away. But this single crack reverberated right through him. Before he turned, he knew what he would see. He tried to whip his head around, but it seemed to move in slow motion. His eyes rested on the Turk kneeling in the trench parapet, his rifle still trained on its target. Dick lay face down, already bleeding from the mouth. Martin was still moving in slow motion. He saw the Turk lift his rifle, point it at him – and heard the click.
Again it boomed through his brain. The sound of the rifle misfiring jerked Martin into action, now high-speed action, and he whipped his rifle up to hip level and shot, catching his mate’s killer in the head.
He didn’t hear the battle outside. He didn’t hear anything. For the first time the world was silent. He walked over to his friend, his dear mate, and slumped into a sitting position beside him. Now the blood was spreading, high up on his back.
‘Oh Dick . . . Dick’, he said, quietly. He raised his hands to his face. ‘Dick . . . Dick.’
Puttees, boots, men, Aussies, dropped into the trench. The Sergeant in charge surveyed the carnage. He saw only the dead Turks.
‘Crikey! We heard your little shindig. But it doesn’t look like you need us.’
Martin nodded toward Dick’s lifeless body. ‘It was mostly his work.’
The Sergeant was still looking around at the enemy. ‘He must’ve been a bloody goer.’
Martin tried to force out words. ‘He was protecting my back, I was supposed to protect his.’ Now the tears rolled unchecked down his face. They were going to go to Queensland.
‘A mate of yours, was he?’
No more words. Martin simply nodded. The Sergeant, a builder by trade, reached down and with as much gentleness as his roughened hands would allow, touched Martin’s cheek.
‘Come on, pal. Go back to your own mob. You’ve done your share.’
He helped Martin to his feet. The young Barrington stumbled off along the trench. ‘By the way,’ called the Sergeant, ‘the boys have taken Lone Pine.’
Martin didn’t hear him; didn’t want to hear him.

They buried Dick at night on a hill overlooking Anzac Cove. The makeshift cemetery was dotted with crude crosses and tablets in memory of the men whose bodies had been recovered. Many were still inaccessible, left where they had fallen. Some were to remain for years.
The platoon stood in silence as Armstrong pushed a rough cross, made out of a biscuit tin, into the mound of earth that covered the body of the young stockman whose first steps into the war were along the wattle-edged roads of western Victoria. The cross wobbled slightly in the warm wind that blew in from the Aegean. Its inscription said simply: ‘Pte Dick Baker. 8th Btn. A good mate. 6 Aug., 1915’.

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Excerpt from “The Alchemist” by Paulo Coelho ~~First sight~~

picture-alchemist-coelhoFinally, a young woman approached who was not dressed in black. She had a vessel on her shoulder, and her head was covered by a veil, but her face was uncovered. The boy approached her to ask about the alchemist.
At that moment, it seemed to him that time stood still, and the Soul of the World surged within him. When he looked into her dark eyes, and saw that her lips were poised between a laugh and silence, he learned the most important part of the language that all the world spoke— the language that everyone on earth was capable of understanding in their heart. It was love. Something older than humanity, more ancient than the desert. Something that exerted the same force whenever two pairs of eyes met, as had theirs here at the well. She smiled, and that was certainly an omen — the omen he had been awaiting, without even knowing he was, for all his life. The omen he had sought to find with his sheep and in his books, in the crystals and in the silence of the desert.
It was the pure Language of the World. It required no explanation, just as the universe needs none as it travels through endless time. What the boy felt at that moment was that he was in the presence of the only woman in his life, and that, with no need for words, she recognized the same thing. He was more certain of it than of anything in the world. He had been told by his parents and grandparents that he must fall in love and really know a person before becoming committed. But maybe people who felt that way had never learned the universal language. Because, when you know that language, it’s easy to understand that someone in the world awaits you, whether it’s in the middle of the desert or in some great city. And when two such people encounter each other, and their eyes meet, the past and the future become unimportant. There is only that moment, and the incredible certainty that everything under the sun has been written by one hand only. It is the hand that evokes love, and creates a twin soul for every person in the world. Without such love, one’s dreams would have no meaning.

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Excerpt from “Boldness Be My Friend” by Richard Pape ~~Crash~~

picture-boldnessbemyfriend-papeAs the bomber began to fall, the skipper yelled over the whining, faltering intercom, ‘Jump, bale out!’ It was a ‘Now’ situation: individual action, no hesitation. No doubt the tail gunner swung his turret and was the first away. In the general flurry, I glimpsed the second-pilot, the wireless operator, the front-gunner rush past and descend to the bombing well to vanish into the night. Terry was struggling desperately to get the machine into some gliding angle. I was shocked then to see the kid, the mid-upper gunner, lurching beside my navigational table. He seemed concussed; clearly he could not look after himself. And Jock Moir was still there. He had been frantically working, shutting off all petrol flow, a vital task with crash-landing inevitable. It was too late now to jump. I rapped Terry on the shoulder. He turned, gazing almost unbelievably at three of us. It was then, as I flashed my torch, that I observed blood trickling from below his flying helmet; his face was ashen.
Adding my strength to Terry’s, heaving desperately on the control column, we brought the machine to a more horizontal position for a few minutes before the nose fell with a vicious lurch to a more acute angle. I recall a patch of water and hoping we might pancake . . . it went by. Then horrifyingly a church steeple. God! We’re going to die in church with our boots on! Uncannily, an updraught lifted us lazily over the roof and we carried on, the earth terrifyingly close. Dark blotches on the ground raced up to meet us. I braced myself for the big ‘dig-in’. Strangely I was no longer frightened. Thirty tons of bomber hit the ground at over 150mph, bounced back into the air, then down, up and down again, ploughed deeply across a small field: a blinding white flash, vicious lurch, hideous grinding of metal . . . then silence.
I long believed we ended up facing towards home. Not so. We had done three complete turns; first about a small village, then around a farmhouse, just missing it as we began our bucking crashes; at the last, a wing struck an oak tree standing splendidly alone in a small open field – a stout anchor, it spun us about and settled us alongside its splintered trunk with a final grinding thud. That blessed oak may have been our salvation. We were down.

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The Impossibles – Hanna-Barbera production

picture-impossibles-cartoonpicture-impossibles-band-cartoon

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Impossibles was an animated television series produced by Hanna-Barbera, and first broadcast in 1966. It featured three superhero crime-fighter characters, who had alter-egos as rock band musicians.

Multi-Man had shaggy orange hair that covered his eyes, and wore an angular, red and black costume with a stylized ‘M’, and a short, triangular red cape. He also carried a shield with a large ‘M’ on it. He could create infinite duplicates of himself. He would use these duplicates as camouflage (which one is the real one?), a show of strength in numbers, for added strength, or even to fly by creating replicas in an upward direction.

Fluid-Man had black hair, and wore a lime green wetsuit complete with diver’s mask and swimfins, and a large ‘F’ on his chest. He could transform his body into a liquid form, which allowed him many ways of infiltrating the criminals’ hideouts. He could flood in under the door, or sneak into the plumbing and emerge from a water tap, or even vaporize himself into a cloud or storm.
However, he did have vulnerabilities, and could get soaked up and trapped by a sponge, or be frozen solid.

Coil-Man was short and stocky with blonde hair, and wore a purple and blue costume with a large letter ‘C’ on his chest, and a purple mask and a cowl crested by a triangular fin. He could transform his arms and legs into coiled and stretchable springs, allowing him to bounce to avoid attacks, deliver long-range punches, or even drill through walls. He could also conduct heat or electricity with his coils. Coily was vulnerable to super magnets, which could hold him captive.

Me and Mum. Note the drawing over on the left - M, F & C

Me and Mum.
Note the drawing over on the left – M, F & C

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Excerpt from “The Tale of Peter Rabbit” by Beatrix Potter ~~McGregor~~

picture-peterrabbit-potterBut Peter, who was very naughty, ran straight away to Mr. McGregor’s garden, and squeezed under the gate! First he ate some lettuces and some French beans; and then he ate some radishes;
And then, feeling rather sick, he went to look for some parsley.
But round the end of a cucumber frame, whom should he meet but Mr. McGregor!
Mr. McGregor was on his hands and knees planting out young cabbages, but he jumped up and ran after Peter, waving a rake and calling out, “Stop thief.”
Peter was most dreadfully frightened; he rushed all over the garden, for he had forgotten the way back to the gate. He lost one of his shoes among the cabbages, and the other shoe amongst the potatoes.
After losing them, he ran on four legs and went faster, so that I think he might have got away altogether if he had not unfortunately run into a gooseberry net, and got caught by the large buttons on his jacket. It was a blue jacket with brass buttons, quite new.
Peter gave himself up for lost, and shed big tears; but his sobs were overheard by some friendly sparrows, who flew to him in great excitement, and implored him to exert himself.
Mr. McGregor came up with a sieve, which he intended to pop upon the top of Peter; but Peter wriggled out just in time, leaving his jacket behind him.
And rushed into the toolshed, and jumped into a can. It would have been a beautiful thing to hide in, if it had not had so much water in it.
Mr. McGregor was quite sure that Peter was somewhere in the toolshed, perhaps hidden underneath a flower- pot. He began to turn them over carefully, looking under each.
Presently Peter sneezed— “Kertyschoo!”
Mr. McGregor was after him in no time, and tried to put his foot upon Peter, who jumped out of a window, upsetting three plants. The window was too small for Mr. McGregor, and he was tired of running after Peter.
He went back to his work.
Peter sat down to rest; he was out of breath and trembling with fright, and he had not the least idea which way to go.

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Excerpt from “The Lion, the Witch and the Wardrobe” by C.S. Lewis ~~Wardrobe~~

picture-lionwitchwardrobe-lewisA few mornings later Peter and Edmund were looking at the suit of armour and wondering if they could take it to bits when the two girls rushed into the room and said, “Look out! Here comes the Macready and a whole gang with her.”
“Sharp’s the word,” said Peter, and all four made off through the door at the far end of the room. But when they had got out into the Green Room and beyond it, into the Library, they suddenly heard voices ahead of them, and realized that Mrs Macready must be bringing her party of sightseers up the back stairs – instead of up the front stairs as they had expected. And after that – whether it was that they lost their heads, or that Mrs Macready was trying to catch them, or that some magic in the house had come to life and was chasing them into Narnia they seemed to find themselves being followed everywhere, until at last Susan said, “Oh bother those trippers! Here – let’s get into the Wardrobe Room till they’ve passed. No one will follow us in there.” But the moment they were inside they heard the voices in the passage – and then someone fumbling at the door – and then they saw the handle turning.
“Quick!” said Peter, “there’s nowhere else,” and flung open the wardrobe. All four of them bundled inside it and sat there, panting, in the dark. Peter held the door closed but did not shut it; for, of course, he remembered, as every sensible person does, that you should never never shut yourself up in a wardrobe.
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“I wish the Macready would hurry up and take all these people away,” said Susan presently, “I’m getting horribly cramped.”
“And what a filthy smell of camphor!” said Edmund.
“I expect the pockets of these coats are full of it,” said Susan, “to keep away the moths.”
“There’s something sticking into my back,” said Peter.
“And isn’t it cold?” said Susan.
“Now that you mention it, it is cold,” said Peter, “and hang it all, it’s wet too. What’s the matter with this place? I’m sitting on something wet. It’s getting wetter every minute.” He struggled to his feet.
“Let’s get out,” said Edmund, “they’ve gone.”
“O-o-oh!” said Susan suddenly, and everyone asked her what was the matter.
“I’m sitting against a tree,” said Susan, “and look! It’s getting light – over there.”
“By Jove, you’re right,” said Peter, “and look there – and there. It’s trees all round. And this wet stuff is snow. Why, I do believe we’ve got into Lucy’s wood after all.”
And now there was no mistaking it and all four children stood blinking in the daylight of a winter day. Behind them were coats hanging on pegs, in front of them were snow-covered trees.
Peter turned at once to Lucy.
“I apologize for not believing you,” he said, “I’m sorry. Will you shake hands?”
“Of course,” said Lucy, and did.
“And now,” said Susan, “what do we do next?”
“Do?” said Peter, “why, go and explore the wood, of course.”
“Ugh!” said Susan, stamping her feet, “it’s pretty cold. What about putting on some of these coats?”
“They’re not ours,” said Peter doubtfully.
“I am sure nobody would mind,” said Susan; “it isn’t as if we wanted to take them out of the house; we shan’t take them even out of the wardrobe.”
“I never thought of that, Su,” said Peter. “Of course, now you put it that way, I see. No one could say you had bagged a coat as long as you leave it in the wardrobe where you found it. And I suppose this whole country is in the wardrobe.”
They immediately carried out Susan’s very sensible plan. The coats were rather too big for them so that they came down to their heels and looked more like royal robes than coats when they had put them on. But they all felt a good deal warmer and each thought the others looked better in their new get-up and more suitable to the landscape.
“We can pretend we are Arctic explorers,” said Lucy.
“This is going to be exciting enough without pretending,” said Peter, as he began leading the way forward into the forest. There were heavy darkish clouds overhead and it looked as if there might be more snow before night.
“I say,” began Edmund presently, “oughtn’t we to be bearing a bit more to the left, that is, if we are aiming for the lamp-post?” He had forgotten for the moment that he must pretend never to have been in the wood before. The moment the words were out of his mouth he realized that he had given himself away. Everyone stopped; everyone stared at him. Peter whistled.
“So you really were here,” he said, “that time Lu said she’d met you in here – and you made out she was telling lies.”
There was a dead silence. “Well, of all the poisonous little beasts -” said Peter, and shrugged his shoulders and said no more. There seemed, indeed, no more to say, and presently the four resumed their journey; but Edmund was saying to himself, “I’ll pay you all out for this, you pack of stuck-up, self-satisfied prigs.”

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“Solid Rock” released by Goanna

Out here nothin’ changes, not in a hurry anyway
You feel the endlessness with the comin’ of the light o’ day
We’re talkin’ about a chosen place
You wouldn’t sell it in a marketplace, well
Well just a minute now

Standing on solid rock
Standing on sacred ground
Living o-on borrowed ti-i-i-ime
And the winds of change are blowin’ down the line
Right down the line

Round about the dawn o’ time, When dreamin’ all began
A crowd o’ people came
Well they were looking for their promised land
Were running from the heart of darkness
Searching for the heart o’ light
Well it was their paradise

But they were standin’ on – solid rock
Standing o-on sacred grou-ound
Living o-on borrowed ti-i-i-ime
And the winds of change were blowing cold that night
Oh

They were standin’ on the shore one day, Saw the white sails in the sun
Wasn’t long before they felt the sting, white man, white law, white gun
Don’t tell me that it’s justified, ’cause somewhere, someone lied
Yeah well someone lied, someone lied, genocide
Well someone lied, oh, ahh

And now you’re standing on – solid rock
Standing o-on a sacred grou-ound
Living o-on borrowed ti-i-i-ime
And the winds of change are blowin’ down the li-ine

Solid rock, Standing on sacred ground
Living o-on borrowed ti-i-i-ime
And the winds of change are blowing down the line
Solid rock, Standing o-on sacred grou-ound
Living o-on borrowed ti-i-i-ime
And the winds of change are blowing down the line
Oh-oh-oh no, NO-O

picture-solidrock-goanna

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